Friday, September 09, 2011

Day 02

Title: "THE HUMAN RIGHTS" by Rosaria Iazzetta.
Emergency: The abuse of human rights
Title: "IF I WAS THE EDITOR" by Peter Ravn.
Emergency: The climate change and the massmedias inability to write about it in a way that engages people
Title: "FREEDOM UNDER CONDTION" by Guillaume Dimanche.
Emergency: The price the Libyan people have to pay for their freedom
Title: "DEPENDENCY" by Tomasz Bajer.
Emergency: The dependency that the Emergency Room format has on EU, Poland and ECC
Title: "AN ENERGY? WHATEVER!" by Marcin Mierzicki.
Emergency: The (lack of) energy in art
Title: "DO WE ALSO NEED A STAR?" by Dionisis Christofilogiannis.
Emergency: The arrogance of german officials towards the greek's ability to handle their problems
"no title" by Sophie Hjerl
Emergency: The lack of respect for international law
Title: "A ROOM WITH A PLOT" by Peter Lind.
Emergency: Peoples disability to deal with reality
Title: "HANANASIF EMERGENCY" by Nadia Plesner.
Emergency: The lack of funds for food at the Hananasif Orphanage School
"no title" by Christian Costa
Emergency: The racism against africans in Libya
Title: "MUTE 3", collaboration by Valerie Frossard, Guillaume Dimanche and David Marin.
Emergency: Continuos censorship of artists in Iran (case: Jafal Panahi)
Title: "RADIATED POLLUTED" by David Marin.
Emergency: Food pollution

Title: "CULTURE COPYRIGHT" by Dorota Nieznalska.
Emergeny: Culture as a recycling product
Title: "VOTE SWEET HOME" by Sophie Hjerl.
Emergency: The apparent rise of homeless people
Title: "SO HELP ME GOD" front by Nadia Plesner.
Emergency: The current risk of having intolerant leaders gaining power in our society.
Title: "SO HELP ME GOD" back, by Nadia Plesner
Title: "NUCLEAR WITHOUT DEMOCRACY" by David Marin.
Emergency: The lack of access to iodine for japanese people.
Title: "GREECE FOR SALE" by Dionisis Christofilogiannis.
Emergency: Greece loosing control over their own assets.
Title: "WE ARE ALL ARABS" by Guillaume Dimanche.
Emergency: The oppression of people all over the world, and the immediate need for revolutions. 
Title: "OH FRANK" by Piotr Kmita.
Emergency: The Swiss currency devaluation and its impact on Polish economy.
Title: "MUTE 2", collaboration by Valerie Frossard, Guillaume Dimanche and David Marin.
Emergency: Continuos censorship of artists in Iran (case: Jafal Panahi)
Title: "4L-ICE TEA, TEL MOBIL, 2 X ACCUMULATOR" by Tomasz Opania.
Emergency: The lack of serious security in Poland.
Debate
Passage
Passage
Debate

Debate
Passage

Thursday, September 08, 2011

Day 01


Emergency art, Title: "BAC" by Piotr Kmita

Emergencyart Title: "DZISIAJ" by Kama Sokolnicka

 Title: "WHERE IS HYPOCRISY" by Valerie Frossard 

Title: "KALASHNIKOV ON OIL", by Guillame Dimanche

"MUTE", collaboration between Valerie Frossard, Guillame Dimanche and David Marin

Title: "COMPASSION TO EGO", by Nadia Plesner

Title: "IF THE CULTURE WAS A TREE." by Rosaria Iazzetta

Title: "SOMALIA" by David Marin

Title: "BĘDĘ TAM DLA CIEBIE" by Dionisis Christofilogiannis

 Title: "PREZENT DLA TURCJI" by Tomasz Opania

"EUROPEAN CULTURAL CONGRESS, WROCLAW, POLAND", by Tomasz Bajer
Emergency art, by Dorota Nieznalska

 "No title" by Sophie Hjerl

 Title: "HNOJNÍK - GNOJNIK" by Tomasz Opania

Passage


Passage

Debate

Debate

Meeting with organizers

Meeting with detectives, discussing cases for them to investigate

Motivation Run before passage

Wednesday, September 07, 2011

E.R. Artists [Short Presentations]



Expected Artists Burning To Express

Tomasz Bajer, Guillaume Dimanche, Wojciech Duda, Valerie Frossard, Sophie Hjerl, Rosaria Iazzetta, Rafał Jakubowicz, Peter Lind, David Marin, Piotr Kmita, Marcin Mierzicki, Dorota Nieznalska, Tomasz Opania, Kama Sokolnicka, Dionisis Christofilogiannis, Christian Costa, Nadia Plesner, Peter Rothmeier Ravn


"WARM UP" 2 days before opening

Today was a day of meetings with the structure and staff that is collaborating with Emergency Room here at the European Culture Congress in Wroclaw.


THE DOCUMENTATION CREW
First Colonel and I met with the documentation team that is commissioned by our polish producers, Art Transparency, to do a 30 minute documentary on this activation of E.R. We discussed the options for the crew to to contribute and stimulate the E.R. process while documenting.

THE DETECTIVES
Next meeting was with 2 private detectives that will be collaborating as a source of information during this E.R. Its important to increase the pertinence and the precision of the artworks. They outlined what was possible for them to work with within polish laws, and we discussed possible angles and tasks they could investigate. Now its up to the artists to activate these professional fact finders.

THE CONSTRUCTION
The construction of Emergency Room is on.

As a final part of this post, here's a word definition from the Emergency Room Dictionary to help us prepare for the hectic days ahead:


WARM UP [fr. chauffer] 


The artist needs to warm up. 
If, for instance, the artist needs to follow a political issue, 
he needs a little bit of background knowledge. 
The artist needs to have a disposition to make a work fast. 
And the will to work with speed. 
The tools of the artist’s should be in proximity. 
If the artist have to use a fax, 
he should know where to get one. 
If the artist have to use a bulldozer, 
he should know where to get one. 
The artist have to prepare for fast action. 
But not only materially. 
The awareness muscle of the artist should also be tense 
and well-trained. 
This is the mental warm up. 
The concept of Emergency Room is still warming up. 
The format of Emergency Room itself is in a warm up process. 
It takes time before the pool of artist involved in Emergency Room 
are ready to become precise dysfunction spotters. 
The Emergency Room format is still accelerating. 
It does not yet have the full speed or full maturity. 
The emergency room is not yet ready. 
It’s discourse is not pertinent enough yet. 
The art works are still too abstract, the comments yet not challenging enough. 
A mutation has to be done. 
But to sharpen artists and change the artistic attitude will take years. 
We are still warming up.